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Karuna Khyal — novy prirastok v sekcii vyrazne albumy

tak a je to tu dalsia tazka experimental folk drone psychedelia loop do usiek.

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 toto tu je presne taky ten album, dam na usi a v pripade priazniveho vnutorneho rozpolozenia som za 15min v inom vesmire :)

 poznam uz par mesiacov a konecne sa objavil znova na stiahnutie a stale boduje.

maximalne ujeta experimental tape loop acoustic folk drone a este neviem co by som tam narval za styly :)

nahrane zaciatkom 70tych rokov este pred prichodom slavnej ery freejazzu a experimentalnej hudby.

na tu dobu skutocne dost velky ulet. (samozrejme zopar podobnych kade tade po svete existovalo aj pred aj po no tento ma svoju podstatnu a nezamenitelnu samansko – japonsku atmosferu)

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cakaju na vas dva cca 20minutove songy.

prechadzajuce z povodnej folkovo samanskej hudby do freejazzovej psychedelickej formy odkial vzapati odbocime do early electronics tapes loops backwards effects chvilku si pustime hudbu reverzne prebasneme vsetky nastroje pridame echo efekty a v rytme finskeho samanskeho bubienka (ako vo filme kukushka ) sa blizime ku koncu prveho songu. 

na 70te roky nevydany pocin

druhy song je viac elektronicky efektovy a zachadza miestami az akemusi proto—noise, pomaly sa objavia podladene fuzzy tony gitar ktore sa zlomia az v 12tej minute do fuzzy psychedelie a potom sa to vsetko zmelie do riadnej kase sprevadzanej ustnou harmonikou :)

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 na stranke je aj album od Brast Burn

psychedelia, efekty,

viac - folk aj blues,

viac - ambient,

viac - melancholic,

viac - vokal 

viac - mantric

viac pocuvatelne

oba albumy su na super urovni, jeden je tazsi a hlucnejsi druhy viac akusticky. vyberte si:

(link uplne dolu) 

Brast Burn & Karuna Khyal (Voice Records) Uber Rare Japanese Underground records released sometime in the 1970s.Voice Records who released the records have never been tracked down northe artist on these records.

"If the accepted lore isn'tdeliberately misleading, Brast Burn and Karuna Khyal are indeed one andthe same. Could these Voice Records artists represent a Janus-facedcollective entirely at peace with its inherent contradictions? Mightthe tribal Sturm und Drang and stomping lunatic-fringe revelry ofKaruna Khyal's Alomoni 1985 and the beatific grace of Debon be twosides of a single fabulous tale? As both albums have languid slideguitars and tape loops in common, the possibility seems more likelywith every spin through Debon.

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Atelling point of reference here could be Magical Power Mako, anotherperplexing entity of Japanese origin and synchronous (mid-'70s)activity. Like any good artistic enigma, MPM inhabits a creative realmto which others gain entrance only at his bidding. Since 1974, MPM hascharted his own cosmic/kosmiche trail of self and spiritual discoverythrough music, with each record as different from the last as it isfrom everything else. It is to the kaleidoscope of MPM's finest workthat Brast Burn's helical psychedelic configurations return.

Spreadacross two lengthy (22+-minute) tracks, broken into shards and melteddown, Debon is a mandala of jingling loops, multi-tracked andharmonized lamasery chants, Kenji "Damo" Suzuki-styled declamations,electronic glimmers, gongs, sacred bells, and fuzzed-out synthesizers.Brast Burn further plaits Debon with breathless flutes and recorders,subtle musique concréte embellishments, percussive shudders, andguitars, guitars, guitars - electric and acoustic, clean and lavishlyeffects-laden, strummed and struck, slicing and gently sliding. Thelaundry list of elements, worthy of Ashtray Navigations or SimonWickham Smith and Richard Youngs, actually evokes a similar effect - atonce improvisational yet utterly musical. Nor is it much of a stretchto draw the line connecting Brast Burn with such scions as Ghost orTrembling Strain. Favoring consciousness, clarity, and contemplation(as opposed to Karuna Khyal's fits of angst and drunken choler), BrastBurn communicates sensitivity to the Zen virtue of negative space,layering the natural white noises of wind and water to cancel outlingering entropic traces.

The epic gestures of the earliertrack culminate in raga-like repose - a spiritually exhausting,soul-wrenching prayer ritual concluding with the revitalizing serenityof meditation. It might all be too hippie-drippy/sounds-of-the-'70s forsome, if not for the full zoological spectrum of curious critter voices(elsewhere identified as Stan Laurel samples!) and toy-like musicalaccents littering its picked and plucked figures. Tape designs andinterrupted narrative aside, there's far more evidence of early PopulVuh - particularly during the tracks climactic throes of euphoricaxemanship - than there is support for Brast Burn's ostensible"Japanese Faust" reputation.

Of Paradigm Discs' Voice Recordsreissues, the exhilarating Alomoni 1985 may be the more immediatelyarresting album. But Debons fascinating, multidimensional charms arenot to be overlooked by devotees of psychedelic arcana."

Your mind will melt in ecstasy with this one!
Highly Recommended!

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http://fm-shades.blogspot.com/2007/04/brast-burn-karuna-khyal-voice-records.html 

Jozef Zábojník

Jozef Zábojník

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Je třeba prznit a znásilňovat pop kulturu, aby vrhla další odporné zmetky a hybridní bastardy. Je načase uvést do kultury ty nejhnusnější praktiky genetického inženýrství, aby ji zaplavily krátkodeché zrůdy, hodné naložení do lihu nebo vystavení v kabinetech hrůzy.STRATEGIE: Zbraně pop kultury obrátit proti ní samé. Minimum prostoru implantovat maximem absurdity. Využít možností kulturního samplování, klonování, morfování, transplantace, simulace, kastrace a protetiky (H&H Blumfeld 2000) Zoznam autorových rubrík:  Vylety, turistika, zazitkyZaujmavosti z webuObrazkymp3filmy, mp3Kreativna reklamaSúkromnévideaUputavky na akcievyrazne albumyNezaradené

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